This Saturday, new Japanese indie music web site Kiwa Kiwa is organising a music festival at Club Asia and I previewed it for The Japan Times. Over on this blog I focus mostly on the leftfield extremes and the poppier idol music extremes and generally avoid the kinds of indie bands that are actually popular. The main reason for this isn’t that most of them are shit so much as that most of them are just OK. If I ever think of something interesting to say about Buffalo 3, I’ll say it, but that’s not going to happen until they stop sounding like a kind of dead-end Hoxton indie band circa 2004.
What’s interesting about this event is that I think it does do a good job of laying out a map of what the Tokyo indie scene sounds like in the year 2012 that’s free of the art-punk snobbery of people like me or the chillwave/beach pop fetishism of other aspects of the indie scene. That stuff maybe important creatively, but none of it is really that important to audiences at this time. There are good bands like Uhnellys, Africaemo, Vola & The Oriental Machine, Give Me Wallets and Nile Long at Kiwa Kiwa Festival, but more than that, it’s a good summation of what’s happening in the real world of Tokyo indie.