Tag Archives: Tropical Death

Top 20 releases of 2016: Intro

As any readers this site has somehow managed to retain may have spotted, updates have dried up over the past couple of years. The main reasons for that have been down to my finishing writing, editing and promoting my book, Quit Your Band! – Musical Notes from the Japanese Underground (released late 2016 from Awai Books) and my decision to spend half a year travelling around Japan by bicycle, documenting the local music scenes in each of Japan’s 47 prefectures (partially written up on my Burn Your Hometown blog).

The other thing that’s kept me occupied has been my Call And Response Records label, which has been getting more and more active over the past couple of years. Last year we put out four new albums/EPs:

Looprider’s Ascension was a hardcore- and noise-influenced collection of raw, fast sonic violence.

Nagasaki art-punk trio Mechaniphone’s Uholic was a collection of quirky, pop-inflected tunes that come at you from a variety of rhythmical angles.

Tropical Death’s Thunder Island EP was a Cassette Store Day special, combining a Japanese underground background with ’90s post-hardcore/alt-rock influences.

Finally, Nakigao Twintail’s Ichijiku was an eclectic explosion of pop, surreal humour and teen angst.

With Looprider’s third album, the post-rock/progressive Umi, and instrumental electronic/psychedelic duo Lo-shi’s new Ninjin already out in 2017 and at least four more new releases in the works, the label is picking up the pace still further this year.

Nevertheless, with the end of my Strange Boutique column in The Japan Times this March, I have had more time for writing, and I’ve spent the last couple of months belatedly introspecting over the best and most interesting Japanese music of 2016. Whether anyone apart from me still cares about the Japanese underground music of a year that ended nearly six months ago is up for debate, but I’m doing it anyway.

The usual caveats apply. These releases have been selected from EPs, mini-albums and fill albums. I include compilations, but not singles, which I loosely classify as a disc with two or fewer tracks. There are experimental and psychedelic releases that may only include a single track of immense length, so obviously I make exceptions for those. I exclude anything Call And Response released, since I’m too close to it to be able to assess it critically in the same way I would something I didn’t have a hand in the production of (although obviously all four of our releases if last year would be right up there if I were ranking the music purely on what I love). The order of the ranking is by no means scientific subject to all sorts of competing considerations. Some are simply interesting ideas or good representations of something I think deserves to be represented, others are albums that I found myself engaging with on a creative or intellectual level, others are simply fun collections of songs.

There are lots of albums I enjoyed or appreciated that I didn’t include here but which on another day I might have, and there are still more I didn’t get a chance to listen to but which may well be worthy of inclusion. However, this is the list I came up with, so this is what I stuck to when writing it up. I’ll post the 20 reviews individually in a flurry of updates over the next few days.

Advertisements

3 Comments

Filed under Call And Response, Features

Top 20 Releases of 2015: Afterword

With the end of this latest countdown of the past year’s top Japanese music, it’s worth drawing attention to what other writers did for their own rundowns. The other main English language sites that go deep enough to put these kinds of extensive lists together are Make Believe Melodies and Beehype. Neither list had anything in common with mine, and precious little in common with each other, which just goes to show how diverse the indie scene in Japan is. In any case, both lists are worth checking out in order to get a different perspective on what Japanese indie (and a bit of pop – Patrick at MBM remains inexplicably attached to E-Girls) music has to offer.

Make Believe Melodies: Best Japanese Albums of 2015
30-21
20-11
10-1

Beehype: Best of 2015 – Japan

As I said before embarking on this latest countdown, the fact that my own label’s releases were disqualified had a big influence on the makeup of this list. It’s always an issue, but it was a bigger one than usual this time round since we released so many albums and EPs featuring so many of our favourite bands in 2015.

Looking forward into the rest of 2016, I’ll be dealing with a similar situation next time round, with a lot of new Call And Response releases already in the pipeline. Looprider’s debut only came out six months ago, but they already have a second album recorded and ready to go this spring, and a third album written. Lo-shi have already recorded their third album and first CD release, with the album currently being mixed with a view to a summer release. Mechaniphone, whose first EP came in at No.4 in my best of 2015 countdown, have a new EP ready to go, which I’ll be helping them put out in a limited release very soon. Other bands in the wider Call And Response family have new material at varying stages of completion, including Han Han Art, Sharkk, Trinitron and Tropical Death.

More broadly, I’m (maybe hopefully) picking up vibes that indiepop may have peaked and that the cool kids are ready for something a bit more discordant. If there is even the faintest possibility of a postpunk/no wave revival, I’ll be doing everything I can to jolly it along and then report on it as if it’s some spontaneous thing I just discovered.

Basically, my theory is that the indie hipster cred Hysteric Picnic/Burgh have been building up over the past couple of years has now reached such a level that young, cool kids want to hang out with them and be in bands like them. There has always been a seam of arty, angular Japanese underground music scraping away metalically beneath the surface of the music scene, and the emergence of younger bands like Deviation and Ms. Machine, as well as the welcome return of the still ludicrously young and inspired Nakigao Twintail, suggests that at least in some limited sense Japanese skronk might be getting a shot of young blood.

Any look at stuff to look forward to should probably begin with Afrirampo’s spring reunion tour, followed by an appearance at the Taico Club festival in June. Whether any new recordings will emerge is still uncertain, and I’m not sure if that would even be a good idea at this stage. Pika already has a new album titled Sun Ra New, in collaboration with Yuji Katsui and Yoshihide Otomo, and quite what role Afrirampo could play in her ever-evolving musical explorations I don’t clearly see.

New releases I’ll be looking out for include Kyoto bubblegum hardcore/postpunk band O’Summer Vacation’s new 7 Minutes Order, which I’ve already heard and is awesome, and hopefully a full album by my favourite band in Tokyo right now, the wonderful Falsettos.

I’ll also be embarking soon on the second stage of my travels to every prefecture of Japan to research its indie music scene. Following my return to Tokyo, my long-promised book on the Japanese indie music scene is now back from the editor and pencilled in for a summer release, so keep your eyes open for more on that.

Leave a comment

Filed under Features