Tag Archives: SNSD

Strange Boutique (December 2012)

Here’s my Japan Times end-of-year roundup column. I’ve not much to add really other than that AKB48 are really the worst thing ever. I do think it’s worth mentioning (and this is my view, not that of the japan Times editorial section) that I really don’t think SMAP’s charity and fundraising work gives them license to use the Tohoku tragedy as a marketing hook off which to hang their new Greatest Hits album that they rushed out in time for their Beijing trip. Giving 5% off the sale price to charity is a fine gesture, but calling the album SMAP Aid, with that cutesy sticking plaster logo, is just cashing in on tragedy and they should be called out on it.

At the bottom of the article, there’s also a little box where I give my top five girl-group bubblegum pop tunes of the year. I’ve already posted one or two of the clips, so sorry for any repetition. Anyway, if you want to check them out, here they are:

1. Perfume: Laser BeamI’ve written about this extensively before, so I’ll just add here that I agree with Patrick from Make Believe Melodies that the single mix is better than the over-fussy album mix.

2. Kyary Pamyu Pamyu: PonponponAgain, not much to say about this other than that it’s magnificently stupid, even without the video.

3. Girls’ Generation: Mr. TaxiThis is actually good for a lot of the same reasons as Ponponpon (i.e. the chorus is simple, catchy and features just them doing a silly dance and repeating the same couple of nonsense sounds over and over again), but it’s also  important for bringing a bit of modern electro polish, sex and glamour into the Japanese pop scene.

4. 2NE1: I Am the BestTotally stupid, but really quite musically radical when you pull it apart. 2NE1 are by far the most fun group out of the 2011 K-pop pack.

5. Momoiro Clover: Mirai BowlAnother let’s-chuck-everything-in-and-see-what-happens song. On its own, I don’t think I’d like any individual part of this song, but the way all these completely incompatible musical segments are chucked together makes it so much more than the sum of its constituents. Add in the cheesy theatrical drama section that goes with it and you have a minor idol pop-opera masterpiece. Also the last thing they did with the beautiful Akari Hayami (a.k.a. “Blue”) still in the group (chokes back sobs).

If I were to add some more, I’d say:

6. Seifuku Kojo Iinkai: Da! Da! Datsu genpatsu no Uta — Nothing special about the tune, but idol pop with an angry anti-nuclear message in 2011? Hell yeah.

7. Secret: Shy Boy — Infectiously happy pop tune that isn’t quite sure whether it’s trying to be a 50s doo-wop tune or a 60s bubblegum-Motown pastiche, and then remembers it’s a K-pop song and shoves in an absurdly incongruous rap segment. Wonder Girls pulled the same trick on Be My Baby, but they over-egged the production a bit so I’ll go for this bouncy number instead.

8. Nozomi Sasaki: Pa-pe-pi-pu Pa-pe-pi-pu Pa-pe-pi-pu-po — Ridiculously annoying, stupidly catchy, gleefully, calculatedly nonsensical, Sasaki’s terrible singing voice gives it an air of almost punky couldn’t-give-a-fuckery, and those wonderfully cheap 80s synths just get me every time. Awful song. I love it.

9. Afterschool: Let’s Step Up — Not really a proper song so much as an album intro, but tapdancing electropop? The little Riverdance thing they do in the middle? Someone has clearly decided somewhere that the rules of pop don’t apply to them, and if there’s one thing that 2011 proved, it’s that whatever we thought the rules were, they’re not.

10. Momoiro Clover Z: Rodo Sanka — Showa Era nostalgia abounds in this worker’s anthem, written by Ian Parton of The Go! Team. After Girls’ Generation made an album almost entirely full of songs by Western songwriters, it’s interesting to see a Japanese idol group go the same path and come up with something completely different but no less striking. And yeah, I know I had another song by basically the same group earlier — so I cheated.

There are probably a few other’s I could put in — T-ara had one or two good songs, and 2NE1 and Perfume both had one or two more really good songs — but I’ll leave it at a clear ten.

[Edit: Added in Secret at No.7. and Nozomi Sasaki at No.8. Can’t believe I forgot such an adorable pair of little tunes.]

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