Tag Archives: Sharkk

Top 20 Releases of 2015: Afterword

With the end of this latest countdown of the past year’s top Japanese music, it’s worth drawing attention to what other writers did for their own rundowns. The other main English language sites that go deep enough to put these kinds of extensive lists together are Make Believe Melodies and Beehype. Neither list had anything in common with mine, and precious little in common with each other, which just goes to show how diverse the indie scene in Japan is. In any case, both lists are worth checking out in order to get a different perspective on what Japanese indie (and a bit of pop – Patrick at MBM remains inexplicably attached to E-Girls) music has to offer.

Make Believe Melodies: Best Japanese Albums of 2015
30-21
20-11
10-1

Beehype: Best of 2015 – Japan

As I said before embarking on this latest countdown, the fact that my own label’s releases were disqualified had a big influence on the makeup of this list. It’s always an issue, but it was a bigger one than usual this time round since we released so many albums and EPs featuring so many of our favourite bands in 2015.

Looking forward into the rest of 2016, I’ll be dealing with a similar situation next time round, with a lot of new Call And Response releases already in the pipeline. Looprider’s debut only came out six months ago, but they already have a second album recorded and ready to go this spring, and a third album written. Lo-shi have already recorded their third album and first CD release, with the album currently being mixed with a view to a summer release. Mechaniphone, whose first EP came in at No.4 in my best of 2015 countdown, have a new EP ready to go, which I’ll be helping them put out in a limited release very soon. Other bands in the wider Call And Response family have new material at varying stages of completion, including Han Han Art, Sharkk, Trinitron and Tropical Death.

More broadly, I’m (maybe hopefully) picking up vibes that indiepop may have peaked and that the cool kids are ready for something a bit more discordant. If there is even the faintest possibility of a postpunk/no wave revival, I’ll be doing everything I can to jolly it along and then report on it as if it’s some spontaneous thing I just discovered.

Basically, my theory is that the indie hipster cred Hysteric Picnic/Burgh have been building up over the past couple of years has now reached such a level that young, cool kids want to hang out with them and be in bands like them. There has always been a seam of arty, angular Japanese underground music scraping away metalically beneath the surface of the music scene, and the emergence of younger bands like Deviation and Ms. Machine, as well as the welcome return of the still ludicrously young and inspired Nakigao Twintail, suggests that at least in some limited sense Japanese skronk might be getting a shot of young blood.

Any look at stuff to look forward to should probably begin with Afrirampo’s spring reunion tour, followed by an appearance at the Taico Club festival in June. Whether any new recordings will emerge is still uncertain, and I’m not sure if that would even be a good idea at this stage. Pika already has a new album titled Sun Ra New, in collaboration with Yuji Katsui and Yoshihide Otomo, and quite what role Afrirampo could play in her ever-evolving musical explorations I don’t clearly see.

New releases I’ll be looking out for include Kyoto bubblegum hardcore/postpunk band O’Summer Vacation’s new 7 Minutes Order, which I’ve already heard and is awesome, and hopefully a full album by my favourite band in Tokyo right now, the wonderful Falsettos.

I’ll also be embarking soon on the second stage of my travels to every prefecture of Japan to research its indie music scene. Following my return to Tokyo, my long-promised book on the Japanese indie music scene is now back from the editor and pencilled in for a summer release, so keep your eyes open for more on that.

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Top 20 releases of 2015: Intro

As is custom with the start of a new year, this blog is going to kick off 2016 with a month-long look back at the past year’s musical highlights. As usual, this task is complicated by a number of factors and naturally limited by my own prejudices and interests as a music fan. For longtime readers, this will perhaps be unnecessary, but I’ll ask you to bear with me as I go over the background against which this rundown will operate.

Firstly, it’s all Japanese music, which I’m defining here as music made either by Japan-based musicians or Japanese musicians based overseas but with some significant connection to the music scene here in Japan.

In theory, there’s no particular rule dictating major or underground music, but in practice that means it’s all indie and underground music, for at least as long as all J-Pop and idol music remains utter garbage. If you think that’s unfair, feel free to complain to your heart’s content in the comments but I’ve tried really hard to like Suiyobi no Campanella and they’re just not that good.

The kinds of releases I’m covering range from EPs to full albums, which generally means three tracks or more and upwards of ten minutes in total – naturally with some wiggle room to take into account things like psychedelic albums where one track can last an hour or hardcore albums where ten songs can go by in eight minutes.

I don’t include any releases from my own Call And Response label, which was doubly hard this year, because the compilation/tribute album Small Lights – A Tribute to Mir which came out on Call And Response’s December 27th ten-year anniversary is a release I’m more proud of than anything I’ve ever worked on and is in my honest (and naturally unbiased) opinion easily the best album released anywhere in the world in 2015 and making a mockery of the actual list.

With that in mind, I’ll beg your indulgence for a moment as I run down the various releases on Call And Response this year in which I had varying degrees of involvement:

Sharkk: Sharkk EP – Buy cassette HERE

sharkk-smallA distinctly poppy collection of alt-rock/emo/punk tunes, recorded by Tokyo-based American musician Sean McGee and a menagerie of collaborators. Self-released via Bandcamp and distributed in physical form via Call And Response as a limited edition cassette.

Hakuchi: Chindon DING DONG! ~ Minokurui March ~ – Buy CD HERE

hakuchi_chindondingdongThis frenetic collision of postpunk, grunge, 1970s Japanese pop and children’s songs, by a band from Saga in Kyushu that I have been keeping tabs on for a while, was an album I proudly shepherded through from early stages to release. Hakuchi are a rare band who embody the carefree attitude of much of what’s popular in the alternative scene at the moment, while retaining the breakneck energy, arty contrarianism and strong musical core that I demand of my favourite bands.

Lo-shi: Baku – Buy LP HERE

lo-shi_bakuCall And Response took a minor role in distributing this limited edition vinyl release of an album the band had self-released in 2014. A mixture of dark, nightmarish psychedelic soundscapes and skittering electronic beats, kept from falling into the abyss of ambient goo by a krautrock-ish sense of momentum that constantly drives it forward and gives it structure and shape.

Looprider: My Electric Fantasy – Buy CD HERE

looprider_myelectricfantasyThis mini-album that sometimes fuses and sometimes juxtaposes elements of metal, shoegaze, psychedelia and pop is just part one in an ambitious cycle of releases from this new band that will cover even more eclectic ground as it works its way over the next couple of years towards the completion of its first phase. The Tokyo indie scene was utterly baffled by Looprider’s failure to conform to any of its usual scene/genre boundaries. People from outside seemed to find it far less confusing.

V/A: Small Lights – A Tribute to Mir – Buy CD HERE

car69As I mentioned before, this compilation stands as the work I’m most proud of in my whole ten years of releasing music, and while — as an 80-minute tribute/concept album dedicated to an utterly unknown Tokyo indie band — its commercial potential even/especially in Japan is next to zero, it still to my mind stands alone as a coherent, singularly powerful and emotionally moving album. I know it’s ludicrous to say this about an album I helped produce myself, and I can’t possibly know whether I would love it quite so much if delivered from another’s hand, but I can at least say that this is as clear and coherent a statement of What I Like as has ever existed.

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Call And Response online store — new stock update

2015 has been a busy year for this blog’s sister label Call And Response Records, with new releases from the label itself as well as a couple of excellent new releases from bands and labels we like in the distribution section.


CALL AND RESPONSE DISTRIBUTION


otori_i-wanna-be-your-noiseOtori: I Wanna Be Your Noise (CD)

This blog’s album of the year for 2014, Otori’s tightly-wired, laser-guided debut was a long time in coming, and turned out to be well worth the wait. These eight controlled explosions take earsplitting no wave ferocity and bottle it, deploying the fury with deadly precision and focus. (Gyuune Cassette, 1620yen)


yougotaradio_carnivalYou Got A Radio: Carnival (CD)

A follow-up to You Got A Radio’s 2010 self-titled debut, Carnival draws on similar postpunk and new wave influences to its predecessor, but synthesises them into a darker, more portentous sound that shares elements of similarity with Joy Division and Magazine. The songwriting revels in this darker palette, with melody and discord playing off each other to dynamic effect. (Drriill Records, 2160yen)


CALL AND RESPONSE LABEL


sharkk-smallSharkk: Sharkk (Cassette)

This five-song EP is the solo project of Sean McGee, who in addition to his own music plays drums with a number of bands in the wider Call And Response circle. Sharkk draws together a variety of alt-rock and punk influences with a clear, pop songwriting sensibility. (Call And Response, 500yen)


hakuchi_chindondingdongHakuchi: Chindon Ding Dong! ~ Minokurui March ~ (CD)

Saga-based spazzcore junk-punk trio Hakuchi’s debut album takes frenetic, lo-fi postpunk and crashes it headlong into a parade of children’s songs and 1970s Japanese pop, with this album the bloody, chaotic result. (Call And Response, 1300yen)


lo-shi_bakuLo-shi: Baku (12-inch vinyl)

Lo-shi are a Tokyo-based French instrumental duo, whose unsettling soundscapes combine electronic beats, samples and effects with ringing, reverb-heavy guitar. This album it themed around the nightmare-eating creature of Japanese legend, in a cathartic journey into a dark dream world. (Call And Response, 2000yen)


looprider_myelectricfantasyLooprider: My Electric Fantasy (CD)

Combining heavy metal, J-pop and shoegaze influences in one album, Looprider’s debut is a bold, brash statement of the band’s refusal to be tied down to specific genres and scenes, but it’s also a carefully crafted pop album that for all its eclecticism is never less than plain and direct in its accessibility. (Call And Response, 1500yen)

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