Among the steady drip-drip of young, well-dressed Japanese bands with a vaguely post-punk aesthetic, Stram are interesting at least for the particular niche of old UK indie sounds they recall. Where a lot of their contemporaries, for better or worse, settle for a sonic universe that doesn’t deviate too far from a sort of eternal imaginary Joy Division, Stram’s debut album (recorded by Ryo Shibuya from Klan Aileen) takes you on an entertainingly camp tour through their glam cabaret, with Yutaro Kaneko’s vocals reaching for the melodramatic whine of Suede’s Brett Anderson on second track What Dream Does Idiot See? and other moments in the album recalling the oddball indie meanderings of bands like Mansun or British Sea Power, the gothic drapery of The Horrors, the circus bounce of half-remembered next big things like The Zutons. All of which makes All Happy a joyously messy album that frequently flirts with questionable taste and a constant uncertainty as to just how seriously the band are taking all this glam camp (glamping?) nonsense — for all the fun they seem to be having, they are also constantly a whisker of self-importance away from turning into Muse. Be that as it may, this album — in all its scuzzy, operatic theatricality — is a gift in gloomy times.