Tentative Four are a strange band, and this EP provides an interestingly distorted vision of them. On stage, they adopt a snotty, backs-to-the-crowd stance and chart a path that veers between 1990s US post-hardcore and gothic-tinged British post-punk along the lines of Magazine or Joy Division. That aspect of the band is on display here in the wilfully banally titled #1 and #4, but there are a couple of other sides to the band too. Vocalist Norihiro Takishita is also a DJ and underground event organiser who specialises in slowed down and distorted takes on old pop, but gathers together a variety of other oddball DJs and experimental electronic and noise musicians around him in his anarchic sonic laboratory. Those aspects of his work are also on display on this EP, with two post-punk tracks that more or less reflect the live experience of the band in their rock form, plus interjections from Takishita’s twisted oldie DJ excursions, while the other half of it is taken up with remixes (including one of his own, that sounds like him flushing the original track down a troubled toilet while hypnotised by a creepy horror movie music box). So while this EP certainly contains on it an introduction to the raw, doom-edged, Mancunian-touched hysteria of Tentative Four’s live experience, it takes you further and deeper, on a tour of a lot of the band’s surrounding ecosystem too. It’s an intriguing approach to the art of EP-making, and one that will likely be disorientating and confusing to listeners stumbling on it with no prior context, but it’s also scene-savvy in how it places the band in a context that actually reveals a lot about them and the anarchic alternate world in Tokyo that they’re part of.