Best of 2017 – More great sounds (3) – What does the rest of the internet say?

This site isn’t the only place on the internet that attempts to rank the best Japanese music of the year, and depending on where you look, you can get a very different picture of the music scene. This is of course very right and proper, because the Japanese music scene is broad and diverse, covering every genre you know and dozens you don’t. I’m not going to include any J-Pop-focused sites here, since I don’t really follow any of them, or even know if any of them made year-end rankings, but here are what a few other writers have come up with.

Beehype (top 20)
Beehype gathers new music releases from all over the globe, but it has a discrete Japanese ranking covering the top 20 Japanese music releases of the year. Beehype is probably the best place to go to get a general sense of the kinds of Japanese music the Japanese music consensus is gathering around, with artists like Satoko Shibata, Oomori Seiko and Tricot all making an appearance, although it deviates into a few interesting oddities of its own, like the recent album by Osaka jazz-skronk trio Oshiripenpenz.

Make Believe Melodies (top 50)
part 1 | part 2 | part 3 | part 4 | part 5
Make Believe Melodies, written by Japan Times writer Patrick St. Michel, tends towards soft-edged dance music and the gentler strains of indiepop and singer-songwriter music, but as the most extensive list among all the Japanese music countdowns here, there’s a fair variety on display around that theme. This list touches on indie-branded idols Maison Book Girl, rapper Zombie-Chang, the manic synth-pop funk of Chai and the pachinko machine noise of Pachinko Machine Music, along with MBM regulars like Taquwami and LLLL.

Muso Japan (best shoegaze and dreampop)
This does exactly what it says on the tin, focusing on shoegaze and dreampop, and while these genres in Japan can encompass slightly different material to what they do in the West, Muso Japan doesn’t stray far from its remit. Having such a narrow focus means that they can dig a little deeper than another site might, singling out material by lo-fi acts like FogPark, and Nurse alongside shoegaze scene veterans like Cruyff in the Bedroom, Shelling and Caucus.

Tokyo Dross (unranked list of 16)
Another list by a Japan Times contributor, this time James Hadfield, whose preferences lean towards more experimental rock and electronic music. There are more crossovers with my list creeping in here, partly because as the Listing Season drew in, we spent some time frantically sharing and picking over each other’s recommendations in private. His decision to include Phew’s Voice Hardcore despite it not being officially released until 2018 is legitimised perhaps by The Wire’s earlier decision to do the same.

Zach Reinhardt
Top 10 EPs & mini-albums

Top 20 albums (20-11)

Top 20 albums (10-1)

Zach’s lists also tend to have a lot of crossover with mine, as I think we both have very similar biases towards skronky art-punk and oddball avant-pop. One key difference is in the appearance of a lot of Call And Response stuff in Zach’s list (P-iPLE, Tropical Death, Looprider and the Throw Away Your CDs… compilation, all of which were disqualified from mine), and perhaps a little more washed-out indiepop/dreampop. Basically, though, if I missed something, it’s highly likely Zach caught it, and vice-versa.

Summary:
For anyone looking for areas of consensus, the crossovers between these various lists throw up a few recurring names. Cornelius’ Mellow Waves appears several times, topping the  Beehype list and getting honourable mentions in a few others, while Ryuichi Sakamoto’s Async, Phew’s Light Sleep, Endon’s Through The Mirror and For Tracy Hyde’s He(r)art were all rated very highly in more than one list. Miu Mau’s Drawing made appearances in most of the lists, while the Throw Away Your CDs Go Out To A Show compilation that I produced made an appearance in every list except my own (disqualified because I made it) and the Muso Japan list (wrong genre), so I feel validated in saying that’s a great record. Elsewhere, She Talks Silence, Crunch, BLONDnewHALF, Hikashu, Tofubeats, Oshiripenpenz, Sapphire Slows, Suiyobi no Campanella, Mondo Grosso, Tricot, Oomori Seiko and Satellite Young all made multiple appearances.

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3 Comments

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3 responses to “Best of 2017 – More great sounds (3) – What does the rest of the internet say?

  1. Dug

    Ian – thanks for this great blog and all the great info about the Japanese music scene. When an underground music fan is coming to Tokyo on a trip (like I am in early March) it seems pretty hard to find information about where to see some of this music live (especially weird noise rock, punk etc.) and just wondering if there is a way/place to find out about shows that might not be listed at the bigger venues etc. I’ll check the record stores etc. and maybe I am not looking hard enough but it would be awesome if there was a website/source to find shows like this. Any suggestions on the best ways to find out where the interesting underground shows are happening on any given night in Tokyo for us “noise rock tourists”?

    • Tokyo Gig Guide has a lot of shows, big and small, listed. The guy who runs the site has an indie-ish bias that I think is reflected in the site overall, but I think it allows anyone to post their own shows, so it’s not a 100% curated list: http://www.tokyogigguide.com

      The other place worth checking out is Tokyo Dross, which is a simple, very minimalist, tightly curated list of mostly avant-garde/experimental (with a few indie, art-punk and other weird things thrown in) shows with links to the venues: https://tokyodross.blogspot.jp

  2. Dug

    Wow! Great stuff – commendable scene support! That Tokyo Dross site seems like exactly the ticket! Just awesome – thanks so much Martin!

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