With their first album since 2011’s Loaded, Lowdead, Rawdead, Tokyo-based punk/underground veterans Bossston Cruizing Mania have taken a radical step back to basics with Idea.
Where previously they had traded in a combination of rhythmically complex postpunk and dub, sometimes drawing songs out to ten minutes or more, no track on Idea exceeds three minutes, with arrangements restrained by what seem at first glance to be straightforward punk rock rhythms and chords.
Confusing easy pigeonholing is the role of vocalist Esuhiro Kashima, who continues to rant, Mark E Smith-like, over the music no matter what it’s doing. As a result, even as the music hints at a more conventional structure, it functions more as a backdrop for their poet-savant frontman to deliver his missives – occasionally channeled by the music into something that sounds almost like singing, but nevertheless defiantly shunning anything as obvious as a chorus.
There’s a tension within Idea that feels like a fundamentally weird band trying very hard to make what they think pop music sounds like but only getting it half right. Coupled with the way they are clearly playing deep within their technical abilities, dialing back nearly all of the mathy sensibilities that had characterised earlier albums, there’s a disconcerting sense of a band holding something back.
That’s partly what makes it such an interesting album though. There are already bands in Tokyo like Triplefire who do the snap-tight rhythmical-postpunk-with-rambling-vocals thing about as well as it can be done, but to begin using recognisable chords and dipping their toes cautiously into melody starts to feel like the more radical thing for a band like Bossston Cruizing Mania to do.