Keeping track of enigmatic drone/shoegaze artist Under’s output remains a task requiring constant attention, not only for the constant flow of new material, but also for its frequent Stalinesque erasure. 2015 began with the February release on the US Fire Talk label of Loosen, an EP that had appeared and then suddenly vanished the previous year. After that, a string of free releases emerged, with a self-titled EP in May followed by August’s Brinicle EP and most recently the lone track It is like cumulonimbus. ((And me)) – eccentric punctuation presumably integral to the effect.
The divisions between these releases are sonically meaningless to the outside observer, and really the whole appeal of Under’s work is the way her songs and noise pieces blend into one. It’s music that doesn’t need to progress because it draws from something timeless and pagan: eternal and ephemeral, like mist descending over long barrows.
There are perhaps two threads that run through Under’s music though, with it leaning one way or the other as whim takes it. One thread, perhaps best represented by the self-titled EP, deals in layers of primal, throbbing drone. The other, which Brinicle explores to a greater degree, especially in its gorgeous opening track Foehn, casts out minimal guitar and bass lines, reeling in ambient, psychedelic folk melodies. Layers of guitar effects and tape distortion link these two approaches together, but variations in the balance between them seem to form the core dynamic of Under’s music.
There’s still time for Under to drop another EP before the year’s out, so perhaps attempting this summary of her year’s output is a little premature, but even based on this handful of releases alone, it’s an impressive body of work for a tireless artist.