If there’s a better way to start a new year in Japanese music than with a new song from Tokyo’s best indiepop band, it’s probably not completely legal. For those of us who remain upstanding, law-abiding citizens and members of the public, DYGL have just put out All The Time. It’s another step in the band’s evolution from jangly twee pop pretty boys into a garage rocking, denim- and leather-clad Japanese Strokes, like they’re trying to do a condensed tribute to Lawrence Hayward’s career at ten-times speed.
It’s also cheering evidence of the developing quality of DYGL’s recordings, really capturing the electric energy of their live performances while remaining just on the right side of Pollardian lo-fi. It’s the sort of music that if it hits you when you’re still in your teens, it’ll stay with you for life: the soundtrack to nights jumping around in a circle with your mates as all the confusion of the world seems to burn away in the heat of the strangled but euphoric moment. In fact, even if you catch it late, it’ll remind you of all the songs from your youth that had that exact effect on you anyway so the result will be more or less the same. In any case, All The Time is a welcome reinforcement of DYGL’s status as one of the purest, most jubilant pleasures in the Tokyo music scene.