Ten Years of Live Music in Tokyo Part 6: Voided By Geysers

In a series of posts that is already characterised by its self indulgence and mitigated perhaps only by the neat, round number of this particular anniversary, this latest post in the rundown of bands at my events’ ten year anniversary party pushes the envelope of egocentrism back still further, featuring as it does, a band I perform with and which has no value to a reader of this blog in any way, having nothing to do with new Japanese music.

Voided By Geysers are a covers band devoted to the work of Robert Pollard and Guided By Voices, a band almost no one in Japan knows and even fewer care about, and who even in America split up for the second time just last week. If someone else had a band like this, I wouldn’t cover them on this blog and I’d be a bit offended and uncomfortable if they asked.

Or would I? Well, part of the appeal of the idea for me was that it was not only a covers band, which is pretty much the lamest thing you can do in the indie/underground scene, but also that it’s a covers band of someone who’s completely obscure in the Japanese music scene. The sheer pointlessness on multiple levels of the project made it impossible not to do, and that makes me smile. There’s also something about GBV’s scrappy, unpolished, error-ridden approach to music that puts it at odds with pretty much all Japanese music. In the studio, we actually practice making mistakes with members deliberately switching bits around or missing cues just to keep the others on their toes and ensure we can deal with it if things go wrong or if someone is suddenly swept up on a wave of whimsy during the performance.

The other members of the band are Shingo, Sean and Ryotaro from Tropical Death Metal, with another guitarist Carl Freire, who has played a few of my events solo and contributed to the Valentine’s Day Sabbath/Paranoid download compilation (which VBG also contributed a second-take drunken rehearsal studio run-through to), and who is old friends with GBV’s late-90s Cleveland lineup, even to the point where he was able to solicit tips on guitar arrangements from Doug Gillard himself. Shingo and Ryotaro have until now alternated on bass, but for our very brief fifteen-minute (I couldn’t really justify longer) opening set, they’re both playing, with Ryotaro stepping into his more familiar role as guitar god, bringing us closer to the originals and giving us an extra gear to kick into on songs like Motor Away and Postal Blowfish.

Here’s a clip of us with Shingo on bass and me just out of hospital with a titanium plate in my arm and a head full of painkillers. The songs are (in order) Teenage FBI, My Valuable Hunting Knife, Kicker of Elves and Hot Freaks. I don’t know what’s going on with the blue guy.

Back to proper bands later.

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Filed under Call And Response, Live, Live previews

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