The release of my Bloody Valentine’s first new album in more than twenty years seems to have given new impetus to Japan’s diverse shoegaze scene, elements of which had come together at round the same time to produce the Yellow Loveless MBV covers album. Less well-publicised it may have been, but another 90s comeback produced one of the year’s finest Japanese rock albums. BP. had been inactive for more than fifteen years when they burst back onto the scene with The New BP. and it’s a corker.BP.: Goodbye, Love
Now you suspect that BP. hate being called shoegaze, but within seconds of opening track Goodbye, Love, it’s clear that there’s still a lot of that going on with them. At the same time, however, yes, there’s more to them, with Tomato Bazooka revealing a post-hardcore side, Puddle occasionally exploding into bursts of metal, and the band throughout delighting in chopping between different rhythms or between melodic and ear splittingly noisy moments in a way that’s very much of a piece with the contemporary Tokyo underground scene. These transitions are all expertly handled in the mix by producer AxSxE from jazz-prog psychedelicists Natsumen, who is one of the best engineers in Japan at making impossibly loud guitars sound gorgeous, and the result is a texturally rich sonic treat for tired ears.