This week’s pickup for The Guardian’s music from around the world guest blogging series is the triumphant comeback of one of the premier acts in the Japanese underground.
Melt-Banana: The Hive
Any connoisseur of Japanese underground music will be familiar with Melt-Banana. Going 20 years strong, they have managed to gather a cult-following around the world, thanks to touring Europe and the States relentlessly, with luminaries such as Mike Patton, John Peel, and Tool as part of their legion of loyal fans.
The band triumphantly return this week with Fetch, their eighth studio album. Now touring as a duo, they’ve come a long way from their Steve Albini-produced, tinnitus-inducing cacophony of their early days, with now a heavy emphasis on electronics and danceable beats (and still just as loud as ever).
“The Hive” is the lead track from Fetch, and has everything you would expect from a Melt-Banana track, and then some. Guitarist Agata’s sounds seem to be beamed down from space, the line between guitar riffs and samples becoming more blurred than ever – music pundits claiming the guitar to be dead should take a few notes. Vocalist Yako provides the searing track with a poppy, sing-along melody, until delivering the goods with the meticulous precision she’s become known for.
Fetch is a culmination of a band who has been through everything – from a constantly rotating roster of drummers, running over deer while on tour in America, and earthquakes and nuclear melt-downs. Don’t let the slimmed down line-up fool you; this is the tightest, most daring the band has ever been.