With 2012 fading in the rear mirror, it’s worth looking ahead to some of the things worth getting excited about over the next year. Some of my favourites from last year are already working on follow-ups, and doubtless more will have come out with new material by the time the year’s out. In addition, my own label, Call And Response, is looking to release in one form or another some of the bands I’m excited about at the moment. So here’s a few suggestions, largely drawn from Call And Response’s immediate circle of bands, of things to look out for over the course of 2013.
Miu Mau: No.1 in my best releases of 2012, Miu Mau have already finished recording two new songs, which they’re currently thinking of releasing as a vinyl single. They recorded it all on analogue equipment and vocalist Masami Takashima claims on her blog that it has more of a 60s sound than last year’s new wave-influenced News EP. Either way, I guarantee it will be super.
Hysteric Picnic: They’ve already put up a couple of new songs on Soundcloud that indicate a growing confidence in their songwriting if their enthusiasm for noise-inflected doom-laden postpunk remains undimmed, and they’re working on more. Hopefully there should be a new EP out by the summer. If no one else releases this, I will.
Jebiotto: This synth-punk trio claim to be hard at work writing new songs for a mini album or EP to be released some time this year. Their last release, Beat End, came out in 2010 so they’re long overdue a follow-up. They did an excellent song, Deacon Punk, for a compilation I released last year, so the new year looks promising. Again, if no one else releases this, I will.
Hyacca: Another band long overdue a new album, this Fukuoka postpunk band are one of the most intense and just plain brilliant bands out there, but their last mini album Hanazono came out in 2009 and apart from a couple of appearances on compilations, they’ve not released much since then. They debuted some new material when I saw them in Fukuoka last month and again, a new album by the end of the year is on the cards.
Extruders: Another of last year’s favourites, minimalist Kanagawa postpunk/psychedelic band Extruders have a new album entitled Colors coming out on Knew Noise Records on April 3rd. It’s likely that the core of the album will be studio recordings of material off last year’s Pray live album, but the release via the ultra-hip Knew Noise label should see them reaching a much wider audience.
Dorolys: Basically the project of one girl, Hazuki Togo, Kagoshima-based Dorolys is a brand new unit with a really nice line in Velvets-influenced lo-fi indie. I saw them for the first time at only their second ever gig, in Kagoshima recently, and they were ace. I’m currently nagging Hazuki to start recording so we can get a cassette or something out soon.
Mir: I’ve been sitting on two or three excellent unreleased recordings by Mir, some of them dating back nearly five years, but which were impossible to release in any form because the band kept splitting up and re-forming and never got the momentum together to put together a proper release. It might have to be a limited release, but the band and I are determined to get these tracks out in some form, hopefully by this summer. EDIT: And Kyohei Hiroki from Mir just informed me on Twitter that they’re busy recording new stuff as well, so there could be a mini-album in it. Fingers crossed.