I’ve written about this Nagoya bands compilation album extensively, with a Japan Times review, an accompanying blog post, and a mention in my review of the year, so there’s little extra to add, but two small points come to mind. Firstly, I love compilations. Secondly, and related, I love finding out rich seams of new music that I hadn’t known existed before. Ripple introduced me to bands like Dororonica, Freedom, and Free City Noise, as well as giving me excellent new tracks from Pop-Office and Sekaitekina Band (their contribution, New, also appears in a re-recorded form on 51 Records’ split album Underrated).
While Ripple includes more melodic tracks like The Moments’ lovely indiepop janglefest Shining Eyes and Yoshito Ishihara’s yojohan folk style New Mexico Midnight Cowboy No.1 (I don’t wanna be killed by your romance any more), fundamentally Ripple is a punk album. It’s also the best punk album to come out of Japan this year, and it set down an essential marker in terms of quality and style for me in the organising and selecting of music for my own compilation album, which I put out later the same year.