My Japan Times column this month is on the Fuji Rock Rookie A Go-Go stage, where indie bands (not necessarily “rookies” since many of them have been around for ages) get a chance to play and since last year to compete for a place on one of next year’s main stages. A bit of weird phrasing aside (I was super-late filing it and I’m still not entirely sure what “up-and-coming dadrockers” means), I say pretty much everything I wanted to in the article so not much to add here except to drop a few links to bands I recommended in the article.
First up there’s Gezan, from Osaka, whose violent onstage antics really lose something on record, so for heaven’s sake check them out live if you get a chance:
Also on Friday there’s The Keys, who are a fine example of the sort of jangly guitar pop that Japanese indie retronauts have been keeping on life support since the late 80s. I slag off old British guitar bands in the article (because they’re shit and they deserve it) but I have no particular problem with melodic guitar music when it’s done with charm and intimacy like this:
Another good Friday night band is Kanazawa’s Ningen OK, who seem to be rocketing up through the hipster-credometer with their fiddly brand of avant-garde postpunk/prog:
I mention Kettles, although I’m not quite sure about them yet. They just seem a bit too down-the-line J-indie, although they can definitely write a song when they put their mind to it, and they’re probably my pick from the more mainstream Saturday night lineup:
Sunday is mostly rock’n’roll stuff, but the best band by far is Fukuoka psychedelic postrock instrumental band MacManaman, who have rocked a few of my own events now, both in Tokyo and Kyushu, and who really stand out on Rookie A Go-Go’s third night: