Tokyo art-punks Anisakis have a new EP available to listen or download and after a period that saw the group reduced to a drum machine-driven duo and subsequently shift their sound away from the Monks-like garage-punk of their earlier material and towards a more synthetic, new wave reminiscent sound, these new songs see them back as a three-piece.
Lead track Yoru no Yume Koso Makoto-san is very much in the mould of earlier songs like Rosas, with a grinding, Contortions-like bassline punctuated with ragged, reverb-heavy postpunk guitars and vocalist (and occasional She Talks Silence bass player) Jungo yelping out the often nonsensical vocals with wide-eyed seriousness and a disconcerting sense that he can see something that you the listener haven’t been hit on the correct bit of the head to be able to see.
It’s backed by Seoyogi no Senshu, which being a slow song at five minutes length is always going to have its work cut out making an impact round these caffeine-addled parts. With songs like this, I’m never sure what I’m supposed to be doing as a listener. Do they expect me to sway from side to side with my eyes closed, contemplating the hopeless, beautiful tragedy of it all? I hope not, because that’s the indie equivalent of raising your lighter at a Bon Jovi concert. Then again, given that this is the band of a guy who not only once painted his dick blue and used it to make a relief print, but then subsequently put the whole process on YouTube (might want to think twice before watching this at work), it’s probably best not to try to second-guess what he’s thinking.
In any case, Seoyogi no Senshu is a slow, emotionally driven song with guitar effects set to “shoegaze”, and a chorus with one of those undeniably effective chord sequences that tap into the angsty teenager in everyone, but lacks the wired delivery and teetering-on-the-edge jittery paranoia of the opener.