A couple of people have already written about this new song by Nagoya newcomers Pop Office, and I don’t feel that I have much to add except to say that it develops the band’s sound subtly but effectively, with a less obvious 80s influence and more of a nod to shoegaze, while retaining Pop Office’s curious fascination with autotune. In Wait for the Sun, it’s used more as a spot effect with Ryuhei Shimada’s vocals raw and ragged through most of the song. The electronic and synth effects are used sparingly, but just enough that in combination with the shoegazey aesthetic and bittersweet, bleak-yet-uplifting melody and delivery they add up to something rather reminiscent of late-90s/early-2000s alt-rock legends Supercar, in particular that period round the release of Futurama when they were going through a fascinating period of transition from their more rock-orientated early material to their more experimental and electronic work. There’s no particular song I can put my finger on, but in the overall tone and dynamics I can hear echoes of Flava (the minimal, repetitive main melody) and Playstar Vista (the quiet/loud dynamic) and I’m willing to bet a more exhaustive trawl of Supercar’s excellent back catalogue would throw up other reference points. I’m sure Pop Office would deny any direct influence here, but in any case, I think they’ve found themselves at a similar place and really it’s no bad place to be.