Top 20 Releases of 2012: Afterword

As I said in the intro, this list was framed by my own fluctuating tastes and just what I happened to   have listened to this year. Jesse Ruins are a superb band who released their Dream Analysis EP via Captured tracks last February.I didn’t get a chance to hear it during the course of the year so it couldn’t make the list, but it’s probably a good record.

None-more-Kansai garage-noise extroverts Gezan also released an album that I didn’t get the chance to hear in 2012, but it was apparently good enough for Time Out Tokyo to rate it as one of the year’s best. Goth-Trad is another artist I didn’t get a proper chance to listen to, but many picked up. It features in the Time Out Tokyo list as well as Make Believe Melodies’ 2012 album roundup (along with other buzzed-about artists I still haven’t heard, like Taquwami)

And then there are albums that missed out on my Top 20 but which might have made it on another day. Sekaitekina Band’s debut album was good but I went for Underrated instead because I felt the musical development that had gone on between the two records instantly outdated the earlier release. Also there was a new album by capsule, Stereo Worxx, which had some very good stuff on it, but which by the end of the year I’d found I wasn’t really listening to.

I’m not going to do a “Top Tracks of 2012″ series since most of my favourite tracks, especially in the indie and alternative spheres, are contained within the albums I’ve just written about, but there are a few excellent mainstream-ish pop tunes I’d like to flag up (all by girl groups, natch). As well as the Kyary Pamyu Pamyu album and the aforementioned capsule, Perfume’s Spending All My Time was really good.

Idol group Dempa Gumi inc.’s awesome, hyperactive cover of The Beastie Boys’ Sabotage is also worth revisiting, especially after having seen them perform it live last weekend.

Also, Korean girl group 2NE1′s I Love You was a great example of pop at the more sophisticated extreme.

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